{"id":312,"date":"2014-07-31T17:12:57","date_gmt":"2014-07-31T15:12:57","guid":{"rendered":"https:\/\/patrioti.al\/?p=312"},"modified":"2014-07-31T17:12:57","modified_gmt":"2014-07-31T15:12:57","slug":"midnight-in-paris-2011","status":"publish","type":"post","link":"https:\/\/patrioti.al\/de\/midnight-in-paris-2011\/","title":{"rendered":"Midnight in Paris (2011)"},"content":{"rendered":"

nga Anisa Vrenozi<\/span><\/p>\n

Regjia dhe skenari:<\/em><\/strong> Woody Allen<\/p>\n

Aktor\u00ebt:<\/em>\u00a0<\/em><\/strong>Owen Wilson~ Gil; Rachel McAdams ~Inez; Kathy Bates~ Gertrude Stein; Adrien Brody~ Salvador Dali; Marion Cotillard ~Adriana; Marcial Di Fonzo Bo ~Picasso; Corey Stoll~ Ernest Hemingway; Tom Hiddleston ~Scott Fitzgerald; Alison Pill ~ Zelda\u00a0 Fitzgerald.<\/p>\n

Nostalgia<\/em> ~\u00a0<\/em><\/strong>qasje ndjesore p\u00ebr t\u00eb shkuar\u00ebn; d\u00ebshir\u00eb p\u00ebr te jetuar nj\u00eb periudh\u00eb ose vend t\u00eb s\u00eb shkuar\u00ebs p\u00ebrgjith\u00ebsisht lidhur me ndjesi personale t\u00eb lumturis\u00eb.<\/p>\n

Ennui <\/em>~ perceptimi i nj\u00eb bote t\u00eb mpakur, e paaft\u00eb p\u00ebr t\u00eb p\u00ebrmbushur nevoj\u00ebn p\u00ebr ndjeshm\u00ebri.<\/p>\n

\u201cMidnight in Paris\u201d (Mesnat\u00eb n\u00eb Paris), filmi sharmant i Woody Allen i krijuar rreth ndjesive t\u00eb sip\u00ebr p\u00ebrmendura, paraqet sikur \u00e7far\u00eb do t\u00eb ndodhte n\u00ebse d\u00ebshira p\u00ebr t\u00eb shkuar\u00ebn t\u00eb mund t\u00eb realizohej. Nj\u00eb film mrekullisht romantik, q\u00eb pasqyron zhg\u00ebnjimin e hersh\u00ebm \u00a0t\u00eb lidhur me ndjenj\u00ebn e romantizmit.<\/p>\n

Si\u00e7 mund t\u00eb pritej nga nj\u00eb film fokusi i t\u00eb cilit \u00ebsht\u00eb e shkuara, asgj\u00eb shum\u00eb e re nuk paraqitet nga Allen n\u00eb k\u00ebt\u00eb krijim t\u00eb ri kinematografik krahasuar me kryeveprat e tij t\u00eb m\u00ebparshme. Ama shum\u00eb pak \u00ebsht\u00eb d\u00e9mod\u00e9 n\u00eb k\u00ebt\u00eb film dhe n\u00eb p\u00ebrgjigje t\u00eb kritik\u00ebs skeptike p\u00ebr pamund\u00ebsin\u00eb e krijimeve t\u00eb Allen p\u00ebr t\u00eb sjell\u00eb di\u00e7ka t\u00eb re, n\u00eb k\u00ebr\u00eb realizim Allen ka paraqitur nj\u00eb p\u00ebrzjerje t\u00eb pabesueshme t\u00eb \u00ebndrr\u00ebs, imagjinat\u00ebs dhe men\u00e7uris\u00eb.<\/p>\n

P\u00ebrgjat\u00eb dy dekadave t\u00eb fundit, Woody Allen vendosi standarte aq t\u00eb larta n\u00eb krijimin kinematografik t\u00eb komedis\u00eb, aq sa ishte e v\u00ebshtir\u00eb p\u00ebr t\u00eb ndjekur loj\u00ebn dhe krijimin e tij, si para ashtu edhe pas kamerave. Nd\u00ebrkoh\u00eb q\u00eb mjesht\u00ebria profesionale pasurohej me kalimin e viteve, faktori koh\u00eb nuk ishte shum\u00eb p\u00ebrkrah\u00ebs p\u00ebr loj\u00ebn aktoriale t\u00eb Woody-t, shoq\u00ebruar ky fakt edhe me aferat romantike t\u00eb jet\u00ebs s\u00eb tij personale q\u00eb pak kishin t\u00eb p\u00ebrbashk\u00ebt me romanticitetin e filmave t\u00eb tij.\u00a0 N\u00eb vitet e fundit, Woody u p\u00ebrpoq ta z\u00ebvend\u00ebsonte rolin e tij me aktor\u00eb t\u00eb ndrysh\u00ebm si Larry David, Anthony Hopkins dhe Josh Brolin por megjith\u00eb talentin e padiskutuesh\u00ebm t\u00eb k\u00ebtyre aktor\u00ebve, asnj\u00ebri nuk ishte tamam \u201cWoody\u201d.<\/p>\n

M\u00eb pas vjen Owen Wilson n\u00eb rolin e Gil, nj\u00eb nd\u00ebr komedian\u00ebt m\u00eb t\u00eb mir\u00eb t\u00eb dekad\u00ebs s\u00eb fundit, n\u00eb nj\u00eb version shum\u00eb familiar t\u00eb Allen \u2018in persona\u2019. Gil, \u00ebsht\u00eb nj\u00eb skenarist Hollywood-ian, i p\u00ebrndjekur nga nj\u00eb ndjesi e vazhdueshme pak\u00ebnaq\u00ebsie dhe n\u00eb p\u00ebrpjekje p\u00ebr t\u00eb ringjallur \u00ebndrr\u00ebn rinore t\u00eb lavdis\u00eb letrare. Nd\u00ebrkoh\u00eb q\u00eb po shkruan nj\u00eb roman p\u00ebr nj\u00eb djal\u00eb q\u00eb ka nj\u00eb \u2018Nostalgia Shop\u2019, Gil p\u00ebrfshihet n\u00eb nj\u00eb udh\u00ebtim virtual n\u00eb koh\u00eb n\u00eb Paris.<\/p>\n

Gjat\u00eb dit\u00ebve, Gil vizition Parisin bashk\u00ebkohor t\u00eb shekullit t\u00eb XXI s\u00eb bashku me t\u00eb fejuar\u00ebn e tij materialiste Inez, prind\u00ebrit e saj vulgar\u00eb & konservator\u00eb dhe pseudo-intelektualin e paduruesh\u00ebm Paul\u2026 nd\u00ebrsa net\u00ebve, Gil n\u00ebp\u00ebrmjet m\u00ebnyrave q\u00eb me q\u00ebllim jan\u00eb l\u00ebn\u00eb t\u00eb pashpjeguara nga Allen, transportohet n\u00eb Parisin e epok\u00ebs s\u00eb art\u00eb t\u00eb viteve \u201920. Nj\u00eb mesnat\u00eb, teksa Gil endet i m\u00ebrzitur n\u00eb nj\u00eb kryq\u00ebzim t\u00eb qet\u00eb, nj\u00eb makin\u00eb antike e merr p\u00ebr t\u00eb shkuar n\u00eb nj\u00eb soir\u00e9e\u2026 dhe brenda saj gjenden t\u00eb mahnitshmit Scott dhe Zelda Fitzgerald.<\/p>\n

Duke dashur t\u00eb ndjek\u00eb vizionin e tij p\u00ebr t\u00eb shkruar nj\u00eb novele serioze e cila ngrihet mbi jet\u00ebn mediokre si nj\u00eb skenarist Hollywood-ian, Gil krijon Parisin e viteve 1920 \u00e7do nat\u00eb teksa solidarizohet n\u00eb mbr\u00ebmjet q\u00eb nuk kan\u00eb mbarim me me letrar\u00ebt dhe artist\u00ebt e \u201cBrezit t\u00eb Humbur\u201d: Hemingway, Dali, Bunuel, Picasso dhe vizitat tek Gertrude Stein, e cila pranon t\u00eb lexoj\u00eb me \u00ebndje dor\u00ebshkrimin e tij.<\/p>\n

Gjithashtu Gil fillon t\u00eb krijoj\u00eb nj\u00eb raport tejet ndjesor me Adrianan, e cila shoq\u00ebrohet me Hemingway-n dhe Picasso-n dhe ashtu si Gil, e prekur nga Nostalgjia, k\u00ebrkon t\u00eb k\u00ebmbej\u00eb Parisin e viteve\u201920 me Belle \u00c9poque\u2026 e kjo ndodh v\u00ebrtet\u00eb. \u00a0Gil dhe Adriana bien n\u00eb dashuri por zhg\u00ebnjehen teksa kuptojn\u00eb q\u00eb duke jetuar n\u00eb t\u00eb shkuar\u00ebn dashuria e tyre nuk mund t\u00eb plot\u00ebsohej emocionalisht dhe intelektualisht n\u00eb t\u00eb tashmen. Por ama n\u00eb nj\u00eb k\u00ebndv\u00ebshtrim tjet\u00ebr, Inez (qartazi) nuk \u00ebsht\u00eb femra e bot\u00ebkuptimit t\u00eb Gil,\u00a0 d\u00ebshira e t\u00eb cilit \u00ebsht\u00eb ndjekja e \u00ebndrrave t\u00eb tij pavar\u00ebsisht presioneve p\u00ebr t\u00eb ndjekur nj\u00eb rrug\u00eb m\u00eb shum\u00eb konvencionale. Nj\u00eb tjet\u00ebr kombinim i njohur i Allen \u00ebsht\u00eb vendosja e alter-egos s\u00eb tij-Gil n\u00eb nj\u00eb p\u00ebrpjekje p\u00ebr tu vet\u00eb-pozicionuar n\u00eb nj\u00eb bot\u00eb t\u00eb mb\u00ebrthyer nga pompoziteti i duksh\u00ebm, \u00ebndja p\u00ebr materializ\u00ebm dhe p\u00ebrpjekja e vazhdueshme e t\u00eb tjer\u00ebve p\u00ebr ta ndryshuar, p\u00ebrfshir\u00eb k\u00ebtu edhe Inez-in dhe familjen e saj.<\/p>\n

Woody Allen n\u00eb vetvet\u00eb \u00ebsht\u00eb p\u00ebr audienc\u00ebn e tij nj\u00eb objekt afeksioni nostalgjik, n\u00eb t\u00eb nj\u00ebjt\u00ebn m\u00ebnyr\u00eb q\u00eb k\u00ebng\u00ebt e Cole Porter jan\u00eb p\u00ebr Gil. Pasioni p\u00ebr k\u00ebto k\u00ebng\u00eb i mund\u00ebson Gil-it t\u00eb krijoj\u00eb nj\u00eb lidhje n\u00eb t\u00eb tashmen (dhe me shum\u00eb mund\u00ebsi n\u00eb t\u00eb ardhmen), me nj\u00eb vajz\u00eb t\u00eb re Pariziene dhe pik\u00ebrisht kjo \u00ebsht\u00eb pik\u00ebnisja p\u00ebr t\u00eb kuptuar q\u00eb fetishizimi i dit\u00ebve t\u00eb shkuara ishte nj\u00eb gabim. \u00a0Parisi \u00ebsht\u00eb i gjall\u00eb n\u00eb vazhdim\u00ebsi, jo sepse \u00ebsht\u00eb \u2018sht\u00ebpia\u2019 e kolos\u00ebve t\u00eb s\u00eb shkuar\u00ebs por sepse \u00ebsht\u00eb ruajt\u00ebs i pjes\u00ebs m\u00eb t\u00eb madhe t\u00eb pun\u00ebs s\u00eb tyre. Dhe q\u00ebllimi i dit\u00ebve dhe krijimeve t\u00eb shkuara nuk \u00ebsht\u00eb kthimi pas n\u00eb koh\u00eb por rigjall\u00ebrimi i s\u00eb tashmes.<\/p>\n

Gjenialiteti i Allen pasqyrohet tek ve\u00e7antia e skenarit, struktura e historis\u00eb dhe p\u00ebrzgjedhja e p\u00ebrsosur e element\u00ebve kulturor\u00eb dhe ky film mund t\u00eb konsiderohet si nd\u00ebr krijimet kinematografike m\u00eb t\u00eb realizuar t\u00eb Woody Allen, pavar\u00ebsisht se nuk karakterizohet nga thell\u00ebsia intelektuale dhe substanca q\u00eb dominon krijimet e tjera t\u00eb tij.<\/p>\n

\u201cMidnight in Paris\u201d nuk p\u00ebrfaq\u00ebson ambicjen drejt t\u00eb pavdekshmes por d\u00ebshir\u00ebn p\u00ebr t\u00eb l\u00ebn\u00eb pas di\u00e7ka- pak memorabilia (p\u00ebrkujtesore) ose art- q\u00eb t\u00ebrheq v\u00ebmendjen dhe zgjon admirimin e udh\u00ebtar\u00ebve t\u00eb vetmuar t\u00eb koh\u00ebs nga nj\u00eb e ardhme e af\u00ebrt.<\/p>\n

E keni par\u00eb ndonj\u00ebher\u00eb Woody Allen t\u00eb thjesht\u00eb? Kjo v\u00ebrtet q\u00eb do t\u00eb ishte di\u00e7ka e re dhe e \u00e7uditshme nj\u00ebkoh\u00ebsisht!<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

nga Anisa Vrenozi Regjia dhe skenari: Woody Allen Aktor\u00ebt:\u00a0Owen Wilson~ Gil; Rachel McAdams ~Inez; Kathy Bates~ Gertrude Stein; Adrien Brody~ Salvador Dali; Marion Cotillard ~Adriana; Marcial Di Fonzo Bo ~Picasso; Corey Stoll~ Ernest Hemingway; Tom Hiddleston ~Scott Fitzgerald; Alison Pill ~ Zelda\u00a0 Fitzgerald. Nostalgia ~\u00a0qasje ndjesore p\u00ebr t\u00eb shkuar\u00ebn; d\u00ebshir\u00eb p\u00ebr te jetuar nj\u00eb periudh\u00eb…<\/p>\n","protected":false},"author":2,"featured_media":313,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[218],"tags":[217,224,226],"class_list":["post-312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersianeekran","tag-filma","tag-filmologji-2","tag-refleksione"],"_links":{"self":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts\/312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/comments?post=312"}],"version-history":[{"count":0,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts\/312\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/media\/313"}],"wp:attachment":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/media?parent=312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/categories?post=312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/tags?post=312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}