{"id":538,"date":"2016-01-12T17:46:55","date_gmt":"2016-01-12T17:46:55","guid":{"rendered":"https:\/\/patrioti.al\/?p=538"},"modified":"2016-01-12T17:46:55","modified_gmt":"2016-01-12T17:46:55","slug":"the-sheltering-sky-1990","status":"publish","type":"post","link":"https:\/\/patrioti.al\/de\/the-sheltering-sky-1990\/","title":{"rendered":"\u201cThe Sheltering Sky\u201d (1990)"},"content":{"rendered":"

nga Anisa Vrenozi<\/em><\/span><\/p>\n

Regjizor: Bernardo Bertolucci<\/em><\/p>\n

Skenari: Mark Peploe and Bernardo Bertolucci. \u00a0<\/em>Bazuar n\u00eb romanin e Paul Bowles\u00a0 <\/em><\/p>\n

Aktor\u00eb: John Malkovich, Debra Winger, Campbell Scott, Jill Bennett <\/em><\/p>\n

„The Sheltering Sky“ i Bernardo Bertolucci, \u00ebsht\u00eb nj\u00eb rrug\u00ebtim mbi buz\u00ebn e nj\u00eb kohe t\u00eb harruar, por risjell\u00eb me shum\u00eb stil. \u00cbsht\u00eb periudha n\u00eb p\u00ebrfundim t\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore. Bota e qytet\u00ebruar \u00ebsht\u00eb ende n\u00eb p\u00ebrpjekje t\u00eb rizbuloj\u00eb kufijt\u00eb qet\u00ebsues t\u00eb t\u00eb zakonshmes rutin\u00eb dhe nd\u00ebrkoh\u00eb, tre p\u00ebrjashtime jan\u00eb n\u00eb vijim t\u00eb nj\u00eb ngjarje t\u00eb pazakont\u00eb: Port Moresby, gruaja e tij \u00a0Kit\u00a0 dhe miku i tyre George Tunner.<\/p>\n

Port (John Malkovich<\/em>), nj\u00eb kompozitor amerikan i cili nuk krijon m\u00eb, Kit (Debra Winger<\/em>), e cila dikur ka shkruar nj\u00eb dram\u00eb modeste n\u00eb Broadway, si dhe Tunner (Campbell Scott<\/em>), i cili koh\u00ebn e kalon me organizimin e festave koktej n\u00eb Long Island, n\u00eb pamund\u00ebsin\u00eb p\u00ebr t\u00eb udh\u00ebtuar drejt Italis\u00eb n\u00eb kaosin e nj\u00eb bote n\u00eb trazir\u00eb, mb\u00ebrrijn\u00eb n\u00eb brigjet e Tangjerit, Marok, p\u00ebr t\u00eb vijuar mw tej rrug\u00ebtimin drejt Saharas\u00eb.<\/p>\n

\u00a0M\u00ebnyra se si hyjn\u00eb n\u00eb sken\u00ebn hap\u00ebse t\u00eb filmit \u00ebsht\u00eb tejet e r\u00ebnd\u00ebsishme – Port, ndjekur nga Kit, ndjekur nga Tunner. Secili shfaqet s\u00eb pari si nj\u00eb kok\u00eb, pastaj si nj\u00eb kok\u00eb mbi bust, dhe m\u00eb n\u00eb fund shfaqet figura e plot\u00eb tek ngjitet me hapa t\u00eb vegj\u00ebl nga varka e humbet m\u00eb posht\u00eb drejt kalatave t\u00eb p\u00ebrmbytura n\u00ebn diell.\u00a0Q\u00ebndrojn\u00eb aty, p\u00ebr disa \u00e7aste n\u00eb skajet e lirshme t\u00eb hap\u00ebsir\u00ebs, t\u00eb bezdisur papritmas nga intensiteti i habitsh\u00ebm i t\u00eb nxehtit t\u00eb Afrik\u00ebs Veriore. N\u00eb p\u00ebrgjigje t\u00eb nj\u00eb komenti nga Tunner, Port thot\u00eb me tep\u00ebr madh\u00ebshti se ata me siguri nuk jan\u00eb turist\u00eb… ata jan\u00eb udh\u00ebtar\u00eb, vijon Kit.<\/p>\n

Nga p\u00ebrkufizimi i tyre, turist\u00ebt thjesht kalojn\u00eb p\u00ebrmes vendeve sipas nj\u00eb plani t\u00eb paracaktuar, gjithmon\u00eb p\u00ebr t’u kthyer diku tjet\u00ebr. Udh\u00ebtar\u00ebt l\u00ebvizin me ritmin e tyre, duke q\u00ebndruar n\u00eb nj\u00eb vend p\u00ebr nj\u00eb jav\u00eb, nj\u00eb muaj apo nj\u00eb vit a dy, sikund\u00ebr gjendja shpirt\u00ebrore t\u2019ia diktoj\u00eb. Udh\u00ebtar\u00ebt kurr\u00eb nuk duan t\u00eb kthehen pas.<\/p>\n

Port, Kit dhe Tunner jan\u00eb t\u00eb ndar\u00eb s\u00eb brendshmi jo vet\u00ebm nga m\u00ebrzija e nj\u00eb e bote t\u00eb njohur q\u00eb kan\u00eb l\u00ebn\u00eb pas, por edhe nga nj\u00ebri-tjetri…p\u00ebrgjithmon\u00eb. Kjo gjendje shpirt\u00ebrore e njeriut \u00ebsht\u00eb substanc\u00eb iluzore e „The Sheltering Sky\u201d, ndoshta filmit m\u00eb josh\u00ebs dhe hipnotik t\u00eb Bertolucci-t.<\/p>\n

„The Sheltering Sky“ \u00ebsht\u00eb nj\u00eb britm\u00eb d\u00ebshp\u00ebrimi e gjat\u00eb dhe aq bukur kontrolluar. \u00cbsht\u00eb ajo lloj romance e err\u00ebt q\u00eb vet\u00ebm Bertolucci (sikund\u00ebr „Tango e Fundit n\u00eb Paris“ dhe „Perandori i fundit“) mund t\u00eb realizoj\u00eb pa lejuar audienc\u00ebn t\u00eb aludoj\u00eb, qoft\u00eb edhe p\u00ebr disa \u00e7aste p\u00ebr mbylljen n\u00eb vetvete t\u00eb personazheve t\u00eb tij.<\/p>\n

Filmi \u00ebsht\u00eb krijuar mbi romanin me t\u00eb nj\u00ebjtin titull t\u00eb Paul Bowles, 1949 p\u00ebrshtatur nga Mark Peploe dhe Bertolucci. N\u00ebse filmi ka t\u00eb nj\u00ebjtin ndikim mbi dik\u00eb q\u00eb nuk e ka lexuar romanin, \u00ebsht\u00eb e v\u00ebshtir\u00eb p\u00ebr t\u00eb th\u00ebn\u00eb, por padiskutim \u00ebsht\u00eb nj\u00eb film me\u00a0 intesitet ndjesor t\u00eb lart\u00eb. Filmi arrin t\u00eb gjej\u00eb p\u00ebrsoshm\u00ebrisht ekuivalent\u00ebt kinematografik p\u00ebr proz\u00ebn e Bo\u00ebles, n\u00eb t\u00eb cil\u00ebn peisazhet e jashtme dhe t\u00eb brendshme evokohen me t\u00eb nj\u00ebjt\u00ebn qart\u00ebsi shpreh\u00ebse.<\/p>\n

Filmi \u00ebsht\u00eb t\u00ebr\u00ebsisht i p\u00ebrshtatur me epok\u00ebn e menj\u00ebhershme t\u00eb pasluft\u00ebs, kur krijimet artistike t\u00eb tjet\u00ebrsimit t\u00eb individit ishin tashm\u00eb tep\u00ebr n\u00eb mod\u00eb, si stili i ri a la<\/em> Christian Dior i cili i veshi grat\u00eb me funde q\u00eb praktikisht mohonin ekzistenc\u00ebn e k\u00ebmb\u00ebve t\u00eb tyre sikund\u00ebr vishet edhe Kit n\u00eb film.<\/p>\n

P\u00ebr sa koh\u00eb q\u00eb filmi \u00ebsht\u00eb duke u shpalosur, v\u00ebmendja mbetet e p\u00ebrq\u00ebndruar dhe vet\u00ebm n\u00eb fund mendimi t\u00eb kthehet tek pyetja se \u00e7far\u00eb \u00ebsht\u00eb sakt\u00ebsisht ajo q\u00eb sapo ke par\u00eb. Nuk \u00ebsht\u00eb versioni klasik i historis\u00eb t\u00eb nj\u00eb martese n\u00eb rrug\u00eb pakrye, t\u00eb jet\u00ebs n\u00eb pez\u00ebm apo p\u00ebrpjekjes t\u00eb d\u00ebshp\u00ebruar e nj\u00eb \u00e7ifti p\u00ebr t\u2019i mbijetuar m\u00ebrzis\u00eb. Nuk mund t\u00eb jet\u00eb e till\u00eb, t\u00eb pakt\u00ebn jo i vendosur n\u00eb mes t\u00eb askundit askund, n\u00eb Afrik\u00ebn e Veriut. Saharaja \u00ebsht\u00eb nj\u00eb metafor\u00eb e p\u00ebrsosur p\u00ebr nj\u00eb univers i cili \u00ebsht\u00eb i parezistuesh\u00ebm p\u00ebr gjer\u00ebsin\u00eb dhe kompleksitetin e tij, por edhe i thjesht\u00eb dhe i fund\u00ebm si nj\u00eb kok\u00ebrr r\u00ebre.<\/p>\n

Bertolucci e paraqet mjesht\u00ebrisht historin\u00eb e palumtur t\u00eb dashuris\u00eb midis Port dhe Kit n\u00eb m\u00ebnyr\u00eb aq t\u00eb gjall\u00eb e nj\u00ebkoh\u00ebsisht t\u00eb pandar\u00eb nga terreni ku kjo histori merr fund\u2026nj\u00eb realizim tejet madh\u00ebshtor. T\u00ebr\u00eb skenari p\u00ebrcjell p\u00ebrsoshm\u00ebrisht mendime misterioze, t\u00eb cilat p\u00ebrkthehen n\u00eb nj\u00eb dialog shpeshher\u00eb shpotit\u00ebs.<\/p>\n

Nd\u00ebr detajet m\u00eb t\u00eb spikatura t\u00eb k\u00ebtij realizimi \u00ebsht\u00eb prezenca e vet\u00eb autorit t\u00eb librit Bo\u00ebles n\u00eb korniz\u00ebn e disa prej skenave n\u00eb kafenen\u00eb n\u00eb Tangjer. Prezenca e tij duket gati-gati si nj\u00eb d\u00ebshmi e ngjarjeve, teksa spikasin komentet e tij, tashm\u00eb jo si pjes\u00eb e natyrshme e skenarit, por m\u00eb tep\u00ebr si pjes\u00ebza t\u00eb shk\u00ebputura nga nj\u00eb vep\u00ebr letrare, nga vet\u00eb libri i tij.<\/p>\n

Port, Kit & Tunner l\u00ebvizin gjithmon\u00eb e m\u00eb shum\u00eb larg qytet\u00ebrimit, n\u00eb thell\u00ebsi t\u00eb shkret\u00ebtir\u00ebs. Teksa peisazhi gjeografik b\u00ebhet m\u00eb i shkret\u00eb, m\u00eb ekzotik dhe m\u00eb shum\u00eb i p\u00ebrpir\u00eb nga mizat, ato tejmbushen me d\u00ebshp\u00ebrim dhe m\u00ebrzi.<\/p>\n

Port k\u00ebrkon me ngulm t\u00eb shkund\u00eb tej letargjin\u00eb e tij shpirt\u00ebrore. N\u00eb Tangjer, p\u00ebrjeton nj\u00eb takim erotik me nj\u00eb fem\u00ebr t\u00eb re dhe t\u00eb kolme Arabe\u2026 dhe n\u00eb m\u00ebnyre absurde \u00ebsht\u00eb ende m\u00eb shum\u00eb i k\u00ebnaqur kur edhe grabitet dhe dhunohet m\u00eb pas, pas kurthit t\u00eb asaj bukurie fem\u00ebrore sikur ka nj\u00eb vendosm\u00ebri t\u00eb trishtimit n\u00eb nd\u00ebrgjegjien tij dhe nj\u00eb mohim t\u00eb gjith\u00eb q\u00ebllimit t\u00eb ekzistenc\u00ebs s\u00eb tij.<\/p>\n

Kit n\u00eb d\u00ebshp\u00ebrim, d\u00ebshiron rigjall\u00ebrimin e pasionit me Port, tashm\u00eb t\u00eb zbehur pas 10 vjet martes\u00eb. Teksa p\u00ebrjetojn\u00eb takimet e tyre erotike, mendja e tij nuk \u00ebsht\u00eb m\u00eb tek ajo dhe n\u00eb k\u00ebmbim ajo\u2026 ajo kthehet tek bukuroshi Tunner, t\u00eb cilin kurrsesi nuk e ndjen aq sa mund ta dashuroj\u00eb.<\/p>\n

Gjat\u00eb rrug\u00ebtimit takohen me nj\u00eb grua britanike plot gjall\u00ebri, nj\u00eb shkrimtare udh\u00ebtare dhe fotografe (Jill Bennett)<\/em>, dhe djalin e saj t\u00eb alkoolizuar, i cili \u00ebsh\u00eb gjithashtu nj\u00eb hajdut dhe si\u00e7 do v\u00ebrehet m\u00eb von\u00eb \u00ebsht\u00eb edhe katalizatori i histories q\u00eb vijon.<\/p>\n

Port s\u00ebmuret me tifo, por s\u00ebrish s\u00eb bashku me Kit rrug\u00ebtojn\u00eb drejt Jugut nd\u00ebrkoh\u00eb q\u00eb shpalosen revelacione dhe pajtime, dhe nj\u00eb akt final i nj\u00eb braktisje mahnit\u00ebse si prej nj\u00eb vdekje t\u00eb akullt.<\/p>\n

„The Sheltering Sky“ \u00ebsht\u00eb nj\u00eb mahnitje panoramike teksa e shikon, por asnjeher\u00eb tejet piktoresk n\u00eb kuptimin klasik t\u00eb natyr\u00ebs\u2026 thjesht gati duket sikur pamjet p\u00ebrshp\u00ebriten n\u00ebp\u00ebr peisazhe t\u00eb vetmuar dhe t\u00eb eg\u00ebr n\u00eb m\u00ebnyr\u00eb mbres\u00ebl\u00ebn\u00ebse. Duhet energji t\u00eb investosh n\u00eb nj\u00eb jet\u00eb q\u00eb ka kuptim dhe kjo energji mungonte n\u00eb jet\u00ebn e personazheve t\u00eb k\u00ebtij filmi. Por jo n\u00eb mjesht\u00ebrin\u00eb dhe gjenin\u00eb krijuese t\u00eb Bertoluccit i cili ka realizuar nj\u00eb kryevep\u00ebr mbi izolim shpirt\u00ebror t\u00eb skajsh\u00ebm dhe ka arritur ta p\u00ebrcjell\u00eb n\u00eb p\u00ebrsosm\u00ebri n\u00eb skenat e tij.<\/p>\n","protected":false},"excerpt":{"rendered":"

nga Anisa Vrenozi Regjizor: Bernardo Bertolucci Skenari: Mark Peploe and Bernardo Bertolucci. \u00a0Bazuar n\u00eb romanin e Paul Bowles\u00a0 Aktor\u00eb: John Malkovich, Debra Winger, Campbell Scott, Jill Bennett „The Sheltering Sky“ i Bernardo Bertolucci, \u00ebsht\u00eb nj\u00eb rrug\u00ebtim mbi buz\u00ebn e nj\u00eb kohe t\u00eb harruar, por risjell\u00eb me shum\u00eb stil. \u00cbsht\u00eb periudha n\u00eb p\u00ebrfundim t\u00eb Luft\u00ebs s\u00eb…<\/p>\n","protected":false},"author":2,"featured_media":539,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[218],"tags":[224,226],"class_list":["post-538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersianeekran","tag-filmologji-2","tag-refleksione"],"_links":{"self":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts\/538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/comments?post=538"}],"version-history":[{"count":0,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts\/538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/media\/539"}],"wp:attachment":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/media?parent=538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/categories?post=538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/tags?post=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}