{"id":68,"date":"2014-04-21T13:10:34","date_gmt":"2014-04-21T13:10:34","guid":{"rendered":"https:\/\/patrioti.al\/?p=68"},"modified":"2014-04-21T13:10:34","modified_gmt":"2014-04-21T13:10:34","slug":"la-grande-bellezza-2013","status":"publish","type":"post","link":"https:\/\/patrioti.al\/de\/la-grande-bellezza-2013\/","title":{"rendered":"La Grande Bellezza (2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #ff0000;\">nga Anisa Vrenozi<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><em>La Grande Bellezza<\/em><\/strong><br \/>\n<strong>Regjisor:<\/strong> Paolo Sorrentino<br \/>\n<strong>Aktor\u00eb:<\/strong> Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi.<\/p>\n<p style=\"text-align: justify;\">Roma \u00ebsht\u00eb cil\u00ebsuar si Qyteti i P\u00ebrjetsh\u00ebm dhe nj\u00eb nga qytetet m\u00eb t\u00eb m\u00ebdha t\u00eb kinematografis\u00eb. \u201cLa Grande Bellezza\u201d, filmi i ri nga Paolo Sorrentino, paraqet Rom\u00ebn e dit\u00ebve t\u00eb sotme: si qytet, bot\u00ebkuptim dhe sistem t\u00eb t\u00eb jetuarit. <!--more-->Ky \u00ebsht\u00eb nj\u00eb realizim ambicioz, n\u00ebp\u00ebrmjet t\u00eb cilit regjizori i bashkohet plejad\u00ebs s\u00eb film-krijuesve t\u00eb tjer\u00eb italian\u00eb, fantazia e t\u00eb cil\u00ebve \u00ebsh\u00eb gjithashtu nxitur n\u00eb krijim nga po ato ambicie t\u00eb ngjashme, t\u00eb cilat kan\u00eb kulmuar me filmat: \u201cRoma, Citt\u00e0 Aperta\u201d dhe \u201cLa Dolce Vita.\u201d Filmi \u201cLa Grande Belleza\u201d mund t\u00eb konsiderohet si vazhdim\u00ebsi e natyrshme e k\u00ebtyre dy kryeveprave t\u00eb kinematografis\u00eb.<\/p>\n<p style=\"text-align: justify;\">Realizimet kinematografike t\u00eb Roberto Rossellini dhe Federico Fellini kan\u00eb p\u00ebrjet\u00ebsuar kryeqytetin italian gjat\u00eb dy epokave aq t\u00eb jasht\u00ebzakonshme sa vet\u00ebm kinemaja mund ta mb\u00ebrthente kuptimin e plot\u00eb t\u00eb tyre. \u201cRoma, Citt\u00e0 Aperta\u201d i Rossellini-t pasqyron pushtimin nazist t\u00eb vitit 1944 dhe \u201cLa Dolce Vita\u201d e Fellini-t p\u00ebrcjell hedonizmin bosh t\u00eb viteve q\u00eb pasuan. Duksh\u00ebm, q\u00ebllimi i realizimit t\u00eb Sorrentino-s \u00ebsht\u00eb q\u00eb t\u00eb p\u00ebrcjell\u00eb t\u00eb nj\u00ebjt\u00ebn gj\u00eb p\u00ebr Rom\u00ebn e epok\u00ebs s\u00eb Berluskonit.<\/p>\n<p style=\"text-align: justify;\">Kamera mjesht\u00ebrore e Sorrentino-s zbulon nj\u00eb e nga nj\u00eb skena, figura dhe fytyra. Ja tek shohim nj\u00eb m\u00ebngjes me diell t\u00eb nj\u00eb qyteti t\u00eb lavdish\u00ebm. M\u00eb pas\u2026 nj\u00eb turist japonez shembet papritmas teksa me padurim fotografon horizontin e qiellit romak\u2026 ndoshta lodhje\u2026 ose ndoshta mbingarkes\u00eb estetike n\u00eb nj\u00eb qytet \u00e7udirash\u2026 M\u00eb pas skena ndryshon kat\u00ebrcip\u00ebrisht dhe fokusohet n\u00eb nj\u00eb fest\u00eb shurdhuese t\u00eb organizuar p\u00ebr dit\u00eblindjen e 65-t\u00eb t\u00eb Jep.<br \/>\nJep Gambardella, personazhi kryesor i filmit, \u00ebsht\u00eb nj\u00eb playboy i mosh\u00ebs s\u00eb pensionit, elegant gati-gati si nj\u00eb vampir, fytyra e t\u00eb cilit \u00ebsht\u00eb nj\u00eb mask\u00eb e edukuar q\u00eb fsheh pas nj\u00eb zhg\u00ebnjim t\u00eb thell\u00eb. Jep e nd\u00ebrtoi pasurin\u00eb dhe reputacionin e tij si gazetar me romanin e tij t\u00eb vet\u00ebm &#8222;L&#8217;Apparato Umano\u201d, t\u00eb cilin e shkroi n\u00eb t\u00eb nj\u00ebzetat e hershme, dhe e cil\u00ebsonte her\u00eb si &#8220; nj\u00eb kryevep\u00ebr e let\u00ebrsis\u00eb italiane &#8220; dhe her\u00eb si &#8222;nj\u00eb lib\u00ebr i pavler\u00eb\u201d.<br \/>\nThell\u00ebsisht i prekur nga tregimi i nj\u00eb personi t\u00eb huaj i cili paraqitet n\u00eb der\u00ebn e apartamentit t\u00eb tij, Jep fillon nj\u00eb reflektim t\u00eb thell\u00eb mbi gjith\u00e7ka q\u00eb ai ka dashur, ato \u00e7\u2019ka kan\u00eb humbur, s\u00eb bashku me nj\u00eb ndjenj\u00eb t\u00eb vag\u00ebt se mund t\u00eb filloi s\u00ebrishmi t\u00eb shkruaj\u00eb seriozisht.<\/p>\n<p style=\"text-align: justify;\">M\u00eb pas e kaluara p\u00ebrzjehet me t\u00eb tashmen dhe realiteti me kujtimet e ndoshta edhe \u00ebndrrat. Jep mendon s\u00ebrishmi p\u00ebr jet\u00ebn e tij, e cila ka qen\u00eb edhe jeta e k\u00ebtij qyteti dhe kupton se tashm\u00eb ka kaluar pjes\u00ebn m\u00eb t\u00eb madhe n\u00eb k\u00ebrkim, n\u00ebp\u00ebr \u00e7atit\u00eb dhe ulluqet p\u00ebr at\u00eb q\u00eb ai e quan La Grande Bellezza- &#8222;bukuria e madhe&#8220;. Ama, \u00e7\u2019ka ai v\u00ebrtet gjen \u00ebsht\u00eb kot\u00ebsia, hipokrizia gangster-izmi dhe dekadenca.<\/p>\n<p style=\"text-align: justify;\">Nj\u00eb nd\u00ebr personazhet e filmit dhe t\u00eb ftuarit e Jep \u00ebsht\u00eb Kardinal Bellucci, pritshm\u00ebrisht Papa i ardhsh\u00ebm, interpretuar mjesht\u00ebrisht nga 75-vjecari Roberto Herlitzka. Kardinali ngjall mahnitjen e Jep me njohurit\u00eb e tij t\u00eb imt\u00ebsishme p\u00ebr sekretet okulte t\u00eb Rom\u00ebs, aq t\u00eb shenjta sa dhe profane. Personazhi i Kardinalit simbolizon ndjesin\u00eb e pap\u00ebrshkrueshme dhe t\u00eb pap\u00ebrkthyeshme t\u00eb \u201cRomanit\u00e0\u201d. I t\u00ebr\u00eb filmi v\u00ebrtitet rreth k\u00ebsaj ndjesie q\u00eb nuk \u00ebsht\u00eb t\u00ebr\u00ebsisht teologji, as histori, as politik\u00eb por nj\u00eb ndjesi e skalitur n\u00eb sheshet dhe kopshtet e Rom\u00ebs; thelb\u00ebsore p\u00ebr t\u00eb kuptuar narcicizmin dhe lavdin\u00eb e d\u00ebshirave njer\u00ebzore. Paralelisht bot\u00ebkuptimi i Jep simbolizon at\u00eb q\u00eb mund t\u00eb konsiderojm\u00eb si \u201cMondanit\u00e0\u201d: jet\u00ebn luksoze e sferave t\u00eb larta t\u00eb shoq\u00ebris\u00eb; kultura e cila kok\u00ebfort\u00ebsisht vazhdon fal\u00eb vanitetit t\u00eb nj\u00eb jete boshe dhe &#8230; \u201cbotox-it\u201d si rrug\u00ebdalja e fundit p\u00ebr nj\u00eb koh\u00eb q\u00eb po per\u00ebndon\u2026<\/p>\n<p style=\"text-align: justify;\">Fotografia e Sorentionos, \u00ebsht\u00eb nj\u00eb paraqitje besnike e festave q\u00eb tejzgjateshin n\u00ebpr net\u00eb t\u00eb gjata, p\u00ebr t\u00eb arg\u00ebtuar shoq\u00ebrin\u00eb e lart\u00eb. Rinia e pjes\u00ebmarrsve t\u00eb k\u00ebtyre festave tashm\u00eb \u00ebsht\u00eb venitur, por n\u00eb fytyrat e tyre t\u00eb stisura me kirurgjin\u00eb plastike, vihen re p\u00ebrpjeket e d\u00ebshp\u00ebruara p\u00ebr t\u00eb ruajtur ato grimca t\u00eb fundit t\u00eb viteve q\u00eb nuk jane m\u00eb\u2026 dhe kamera e Sorrentino -s\u00eb rr\u00ebshqet rreth tyre si fantazm\u00eb n\u00eb fest\u00eb.<\/p>\n<p style=\"text-align: justify;\">\u201cLa Grande Bellezza\u201d \u00ebsht\u00eb cil\u00ebsuar nga kritika si filmi m\u00eb i mir\u00eb Sorrentino-s deri m\u00eb tani, nj\u00eb film me po ato element\u00eb t\u00eb pangat\u00ebrruesh\u00ebm q\u00eb ravij\u00ebzojn\u00eb edhe \u201cIl Divo\u201d dhe \u201cLe Conseguenze dell&#8216; Amore\u201d, por me nj\u00eb k\u00ebndv\u00ebshtrim t\u00eb ri p\u00ebr ndjenj\u00ebn e dashuris\u00eb dhe humbjes, nj\u00eb paraqitje edhe m\u00eb t\u00eb mpreht\u00eb p\u00ebr format e pushtetit dhe prestigjit dhe me at\u00eb ndjenj\u00eb melankolie aq t\u00eb thell\u00eb sa t\u00eb futet dhe q\u00ebndron gjat\u00eb Brenda ndjesive njer\u00ebzore.<br \/>\nPor\u2026 a mundet \u201cLa Grande Bellezza\u201d me t\u00eb v\u00ebrtet\u00eb t\u00eb pasoj\u00eb vazhd\u00ebn e kryeveprave si \u201cRoma, Citt\u00e0 Aperta\u201d dhe \u201cLa Dolce Vita\u201d? Sakt\u00ebsisht p\u00ebr k\u00ebt\u00eb mund t\u00eb pyesim s\u00ebrish pas nj\u00eb gjysm\u00eb shekulli por pa diskutim ky realizim \u00ebsht\u00eb nj\u00eb kulminim i pun\u00ebs s\u00eb deritanishme s\u00eb Sorrentino-s\u2026 nj\u00eb Coup de Cinema plot shk\u00eblqim, mbresat e t\u00eb cilit mbeten t\u00eb skalitura thell\u00eb n\u00eb zemr\u00ebn, m\u00ebndjen dhe shpirtin e \u00e7do adhuruesi t\u00eb kinemas\u00eb autentike.<\/p>\n<p style=\"text-align: justify;\">\u201c\u2026 dhe ne sken\u00ebn finale, kamera r\u00ebshqet n\u00eb nj\u00eb bark\u00eb posht\u00eb lumit Tiber. Nuk ka muzik\u00eb\u2026 vet\u00ebm krokama e zogjve. Koha ndalet, dhe \u00e7do gj\u00eb \u00ebsht\u00eb mbres\u00ebl\u00ebn\u00ebse\u2026 ashtu si vet\u00ebm Italia mund t\u00eb jet\u00eb.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>nga Anisa Vrenozi La Grande Bellezza Regjisor: Paolo Sorrentino Aktor\u00eb: Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso, Iaia Forte, Pamela Villoresi, Galatea Ranzi. Roma \u00ebsht\u00eb cil\u00ebsuar si Qyteti i P\u00ebrjetsh\u00ebm dhe nj\u00eb nga qytetet m\u00eb t\u00eb m\u00ebdha t\u00eb kinematografis\u00eb. \u201cLa Grande Bellezza\u201d, filmi i ri nga Paolo Sorrentino, paraqet Rom\u00ebn e dit\u00ebve t\u00eb sotme:&hellip;<\/p>\n","protected":false},"author":2,"featured_media":69,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[218],"tags":[217],"class_list":["post-68","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersianeekran","tag-filma"],"_links":{"self":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":0,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/posts\/68\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/media\/69"}],"wp:attachment":[{"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/media?parent=68"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/categories?post=68"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrioti.al\/de\/wp-json\/wp\/v2\/tags?post=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}