{"id":335,"date":"2015-01-24T20:50:49","date_gmt":"2015-01-24T18:50:49","guid":{"rendered":"https:\/\/patrioti.al\/?p=335"},"modified":"2015-01-24T20:50:49","modified_gmt":"2015-01-24T18:50:49","slug":"triologjia-e-tre-ngjyrave-bluja-e-bardha-e-kuqja","status":"publish","type":"post","link":"https:\/\/patrioti.al\/en\/triologjia-e-tre-ngjyrave-bluja-e-bardha-e-kuqja\/","title":{"rendered":"Triologjia e tre ngjyrave: Bluja, e Bardha & e Kuqja"},"content":{"rendered":"

nga\u00a0Anisa Vrenozi<\/em><\/strong><\/span><\/p>\n

Triologjia e fillim-viteve 90-t\u00eb e Krzysztof Kieslowski ishte punimi i fundit i tij dhe suksesi m\u00eb i madh nd\u00ebrkomb\u00ebtar i cili kujtohet ende sot n\u00eb bot\u00ebn e kinemas\u00eb Europiane me tre posterat respektiv\u00eb ku shk\u00eblqenin hijsh\u00ebm: Juliette Binoche, Julie Deply dhe Ir\u00e8ne Jacob duke pasqyruar aristokracin\u00eb e re fem\u00ebrore t\u00eb kinemas\u00eb franceze.\u00a0 Filmat jan\u00eb bashk\u00eb-shkruar me Krzysztof Piesiewicz, me profesion avokat si dhe nj\u00eb figur\u00eb politike disi konservatore n\u00eb Poloni.<\/p>\n

Kritikat dyshuese t\u00eb dikurshme e cil\u00ebsuan triologjin\u00eb t\u00eb ndikuar nga konteksti jet\u00ebsor dhe historik i autor\u00ebve, artistikisht t\u00eb imponuar n\u00eb realizim dhe gati-gati i ngadalt\u00eb n\u00eb zhvillimin e ngjarjeve.Nd\u00ebrsa sot, i rivler\u00ebsuarr me nj\u00eb tjet\u00ebr optik\u00eb nostlagjike, krijimet e Kieslowskit mund t\u00eb cil\u00ebsohen si nj\u00eb triptik i nj\u00eb stili operistik, me nuanca t\u00eb qarta t\u00eb nj\u00eb \u00e7uditshm\u00ebrie n\u00eb ngjarje dhe personazhe, a thua t\u00eb ishte nj\u00eb \u201ccine\u201d-poem\u00eb e nj\u00eb arti t\u00eb rafinuar.<\/p>\n

Trilogjia \u00ebsht\u00eb tejet e dedikuar ndaj kontekstit historik t\u00eb Europ\u00ebs s\u00eb Bashkuar dhe si e till\u00eb \u00ebsht\u00eb nj\u00eb financim francez, e cila vjen si nj\u00eb celebrim i dashuris\u00eb dhe humbjes n\u00eb nj\u00eb er\u00eb t\u00eb re bashkimi, pas nj\u00eb lufte t\u00eb ftoht\u00eb t\u00eb tejzgjatur. I rishikuar sot, n\u00eb nj\u00eb realitet europian n\u00eb nj\u00eb kriz\u00eb t\u00eb thell\u00eb t\u00eb idealit, bot\u00ebkuptimi i k\u00ebtij krijimi do ishte edhe m\u00eb interesant.<\/p>\n

Triologjia p\u00ebrb\u00ebhet nga filmat e nd\u00ebrlidhur mes tyre: 1) Tre Ngjyrat: Blu (1993), 2) Tre Ngjyrat: E Bardha (1994), dhe 3) Tre Ngjyrat: e Kuqja (1994); duke p\u00ebrfaq\u00ebsuar nj\u00ebkoh\u00ebsisht tricoulour<\/em>-in klasik t\u00eb flamurit francez: liri, barazi dhe v\u00ebllaz\u00ebri. Nj\u00eb mendim i kultivuar kinematografikisht e ka leht\u00ebsisht t\u00eb kuptuesh\u00ebm r\u00ebnd\u00ebsin\u00eb e secilit koncept n\u00eb secilin film. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb tema t\u00eb tjera m\u00eb t\u00eb prekshme p\u00ebrshkojn\u00eb trilogjin\u00eb si p\u00ebrshtjellimi dhe tortura e pafund e dashuris\u00eb, pashmangshm\u00ebria e mashtrimit, fuqia e tmerrshme e frik\u00ebs nd\u00ebrmjet burrave dhe urrejtjes midis grave si dhe motivi i rifillimit duke braktisur nj\u00eb identitet t\u00eb vjet\u00ebr.<\/p>\n

1) Tre Ngjyrat: Blu (1993)<\/strong><\/p>\n

N\u00eb nj\u00eb rrug\u00eb t\u00eb humbur midis asgjes\u00eb, n\u00eb nj\u00eb mjegull t\u00eb dendur dhe midis nj\u00eb ambienti gati si \u00ebnd\u00ebrror, shfaqet nj\u00eb makin\u00eb e cila l\u00eb pas nj\u00eb curril vaj frenash. Pak \u00e7aste m\u00eb von\u00eb, n\u00eb aksidentin m\u00eb pak spektakolar dhe m\u00eb t\u00eb paimagjinuesh\u00ebm, humbin jet\u00ebn nj\u00eb kompozitor i njohur dhe f\u00ebmija i tij; gruaja e kompozitorit Julie (Juliette Binoche) \u00ebsht\u00eb l\u00ebnduar r\u00ebnd\u00eb por ende gjall\u00eb. Pasi ndjek transmetimin e drejtp\u00ebrdrejt\u00eb televiziv t\u00eb funeralit t\u00eb familjes s\u00eb saj nga shtrati i nj\u00eb spitali, Julie rim\u00ebk\u00ebmbet, shet gjith\u00e7ka q\u00eb zot\u00ebron dhe fillon jet\u00ebn incognito n\u00eb Paris… Arsyeja?<\/p>\n

Ankth, hidh\u00ebrim, zem\u00ebrim me providenc\u00ebn\/rast\u00ebsin\u00eb, \u00e7\u00ebshtjet e pazgjidhura p\u00ebr besnik\u00ebrin\u00eb e bashk\u00ebshortit t\u00eb saj t\u00eb ndjer\u00eb apo ndjenjat e asistentit t\u00eb tij p\u00ebr t\u00eb…? Ndoshta p\u00ebrgjigjia vjen nga n\u00ebnkuptimet e nj\u00eb gazetari n\u00eb nj\u00eb emision kushtuar bashk\u00ebshortit t\u00eb saj, t\u00eb cilat mund t\u00eb duken t\u00eb ashpra, t\u00eb pandjeshme por mbase kan\u00eb nj\u00eb lloj substance: ndoshta Julie ka hequr dor\u00eb nga ajo \u00e7ka ishte dikur jeta e saj p\u00ebr shkak t\u00eb falsitetit… ajo jeton mes asgj\u00ebs\u00eb tani sepse t\u2019i rikthehet jet\u00ebs s\u00eb dikurshme p\u00ebr t\u00eb do t\u00eb thot\u00eb mashtrim i vetvetes.<\/p>\n

Para vdekjes s\u00eb tij, kompozitori ishte duke punuar p\u00ebr nj\u00eb vep\u00ebr madh\u00ebshtore e stilit heroik si ai i Simfonis\u00eb se 9-t\u00eb t\u00eb Beethoven p\u00ebr t\u00eb celebruar Bashkimin Evropian i themeluar nj\u00eb vit m\u00eb par\u00eb me traktatin e Maastricht-it. Ky himn europian shfaqet n\u00eb momente shqet\u00ebsuese p\u00ebrgjat\u00eb filmit. Cop\u00ebza shurdhuese t\u00eb k\u00ebsaj simfonie shp\u00ebrthejn\u00eb here pas her\u00eb n\u00eb skenat e filmit s\u00eb bashku me d\u00ebshp\u00ebrimin e Julie-s\u00eb, si parafytyrime traumatike q\u00eb rizgjojn\u00eb tek Julie at\u00eb \u00e7\u2019ka ajo \u00ebsht\u00eb tani… dhe nd\u00ebrkoh\u00eb q\u00eb krijohet p\u00ebrshtypja sikur nj\u00eb akord i madh mbyll\u00ebs i simfonis\u00eb do t\u00eb njoftoj\u00eb gjithashtu fundin e nj\u00eb skene, gjith\u00e7ka err\u00ebsohet p\u00ebr tu ndri\u00e7uar s\u00ebrish\u2026 nd\u00ebrkoh\u00eb q\u00eb Julie \u00ebsht\u00eb ende atje, ende me kujtimet e saj.<\/p>\n

2) Tre Ngjyrat: E Bardha<\/em> (1994)<\/strong><\/p>\n

N\u00eb filmin E Bardha, nj\u00eb emigrant polak, Karol, parukier n\u00eb Paris, po kalon nj\u00eb pro\u00e7es t\u00eb hidhur divorci me bashk\u00ebrshorten e tij Dominique (Julie Delpy) pasi nuk mund ta plot\u00ebsoj\u00eb at\u00eb seksualisht. Nd\u00ebrkoh\u00eb q\u00eb ishin shum\u00eb t\u00eb lumtur para martes\u00ebs, di\u00e7ka tek t\u00eb q\u00ebnurit i martuar dhe arritja e propsperitetit n\u00eb nj\u00eb Franc\u00eb luksoze, e ka zhburr\u00ebruar Karolin. I obsesionuar pas ish-bashk\u00ebshortes s\u00eb tij, Karol ideon nj\u00eb plan p\u00ebr t\u2019u kthyer p\u00ebrs\u00ebri n\u00eb Poloni, t\u00eb b\u00ebhet i pasur, dhe krijon nj\u00eb skem\u00eb p\u00ebr t\u00eb rifituar p\u00ebrs\u00ebri Dominique.<\/p>\n

Pa para dhe pasaport\u00eb, Karol planifikon t\u00eb kthehet n\u00eb sht\u00ebpi i ndihmuar nga nj\u00eb bashk\u00ebatdhetar i tij, duke u fshehur n\u00eb nj\u00eb valixhe t\u00eb madhe n\u00eb pritje t\u00eb nj\u00eb aeroplani. Pas nj\u00eb seri peripecish, ai e gjen veten n\u00eb nj\u00eb pik\u00ebmbl\u00ebdhje t\u00eb mbeturinave mbuluar me d\u00ebbor\u00eb (motivi i bardh\u00eb p\u00ebrs\u00ebri). Teksa largohet nga ky vend i tmerrsh\u00ebm, ai r\u00ebnkon: \u201cJezus, m\u00eb n\u00eb fund n\u00eb sht\u00ebpi!”<\/p>\n

Polonia nuk \u00ebsht\u00eb ende an\u00ebtare e BE-s\u00eb (u integrua n\u00eb vitin 2004), por filmi E Bardha dramatizon ndjenjat e thella t\u00eb polak\u00ebve, t\u00eb cil\u00ebt duke hedhur pas nj\u00eb t\u00eb kaluar komuniste dhe duke p\u00ebrqafuar nj\u00eb ekonomi tregu t\u00eb hapur, shpresojn\u00eb tek nj\u00eb e ardhme Europiane\u2026 Kjo pritshm\u00ebri pasqyrohet n\u00eb fjal\u00ebt e v\u00ebllait t\u00eb Karol: \u201cNe jemi Europian\u00eb tani!” Por p\u00ebr Karolin, Europa personifikohet n\u00eb gruan e tij t\u00eb magjishme dhe t\u00eb paarritshme- Dominique. N\u00eb momentet e para t\u00eb filmit, i varf\u00ebri, i vetmuari dhe i shpupurisuri Karol- p\u00ebrfaq\u00ebson nj\u00eb personazh pak t\u00eb p\u00eblqyesh\u00ebm. M\u00eb pas, i rikthyer n\u00eb vendlindje, ai fillon t\u00eb ngjis\u00eb shkall\u00ebt e suksesit duke u shoq\u00ebruar me t\u00eb jasht\u00ebligjsh\u00ebm dhe duke u p\u00ebrfshir\u00eb n\u00eb marr\u00ebveshje t\u00eb dyshimta pron\u00ebsie dhe k\u00ebmbim-valute. E teksa Karol beh\u00ebt edhe m\u00eb i suksessh\u00ebm, filmi merr gjithmon\u00eb e m\u00eb shum\u00eb ndjesin\u00eb e nj\u00eb filmi Ballkanik \u00e0 la Kusturica. Drejt fundit, Karol \u00ebsht\u00eb nj\u00eb biznesmen i k\u00ebnaqur por i dyshimt\u00eb, i paepur n\u00eb nevoj\u00ebn e tij p\u00ebr hakmarrje\u2026 imazh ky i zbutur vet\u00ebm n\u00eb moment e fundit t\u00eb filmit, kur lot\u00ebt e tij rrjedhin teksa bashkohet dhimbsh\u00ebm me Dominique.<\/p>\n

\u2026 Megjithat\u00eb, \u00ebsht\u00eb kjo ajo \u00e7\u2019ka Polonia d\u00ebshiron? A \u00ebsht\u00eb ky vendi ku p\u00ebrfundon zilia e nj\u00eb per\u00ebndimi t\u00eb begat\u00eb Europian?<\/p>\n

3) Tre Ngjyrat: E Kuqja<\/em> (1994)<\/strong><\/p>\n

Filmi i tret\u00eb i triologjis\u00eb, E kuqja, \u00ebsht\u00eb m\u00eb i \u00e7uditshmi nga t\u00eb tre. Kartakteri kryesor, Valentine (Irena Jacob) \u00ebsht\u00eb nj\u00eb studente n\u00eb Gjenev\u00eb, e persekutuar nga telefonatat e nje t\u00eb dashuri posedues. Nj\u00eb kthes\u00eb e \u00e7uditshme e fatit e takon me nj\u00eb gjykat\u00ebs n\u00eb pension (Jean-Louis Trintignant), tejet i pashoq\u00ebruesh\u00ebm dhe me nj\u00eb pasion t\u00eb paligjsh\u00ebm t\u00eb cilin Valentine, me mosp\u00ebrfilljen e dukshme t\u00eb gjyqtarit, p\u00ebrpiqet ta \u00e7rr\u00ebnjos\u00eb. Dhe po prej s\u00eb nj\u00ebjt\u00ebs forc\u00eb \u00e7udib\u00ebr\u00ebse t\u00eb rast\u00ebsis\u00eb, gjyqtari rezulton t\u00eb ket\u00eb nj\u00eb kontakt me nj\u00eb fqinj t\u00eb Valentin\u00ebs, dhe nj\u00eb prej fqinj\u00ebve t\u00eb tij mund t\u00eb ket\u00eb nj\u00eb lidhje me v\u00ebllain m\u00eb t\u00eb ri dhe t\u00eb pak\u00ebnaqur t\u00eb Valentine\u2026 N\u00eb rrethanat e k\u00ebsaj bote q\u00eb po b\u00ebhet sa vjen e m\u00eb e vog\u00ebl, ata b\u00ebhen tejet t\u00eb af\u00ebrt.<\/p>\n

\u00cbndrrat jan\u00eb nj\u00eb element i r\u00ebnd\u00ebsish\u00ebm n\u00eb krijimet e Kieslowskit, dhe k\u00ebt\u00eb e shohim edhe n\u00eb k\u00ebt\u00eb pjes\u00eb kur gjykat\u00ebsi i tregon Valentin\u00ebs nj\u00eb \u00ebnd\u00ebrr p\u00ebr t\u00eb. \u00cbndrra nuk materializohet n\u00eb ekran, vet\u00ebm rikujtohet, por kjo \u00ebsht\u00eb ndoshta nd\u00ebr pjes\u00ebt m\u00eb prek\u00ebse t\u00eb trilogjis\u00eb: nj\u00eb \u00ebnd\u00ebrr p\u00ebr t\u00eb ardhmen e Valentin\u00ebs, t\u00eb cil\u00ebn vet\u00eb ajo e gjen mall\u00ebngjyese p\u00ebr arsye q\u00eb nuk mund t\u00eb shpjegohen.<\/p>\n

N\u00eb fund t\u00eb filmit, imazhi i Valentin\u00ebs, protagoniste e nj\u00eb reklame \u00e7am\u00e7ak\u00ebzi n\u00eb nj\u00eb billboard masiv, l\u00eb pas ndjesin\u00eb e nj\u00eb jehon\u00eb t\u00eb mbinatyrshme. Me mendjempreht\u00ebsi dhe shije tejet t\u00eb holl\u00eb kinematografike, gjat\u00ebsia e koh\u00ebs n\u00eb film p\u00ebrkon me koh\u00ebn e fushat\u00ebs reklamuese: filmi fillon me imazhin e Valentin\u00ebs t\u00eb v\u00ebn\u00eb n\u00eb nj\u00eb udh\u00ebkryq t\u00eb rrug\u00ebs dhe n\u00eb momentet e fundit p\u00ebrfundon me disa pun\u00ebtor\u00eb teksa \u00e7montojn\u00eb reklam\u00ebn.<\/p>\n

Triologjia e “Tre Ngjyrave” \u00ebshte komentuar shum\u00eb n\u00eb koh\u00ebn e saj p\u00ebr eleganc\u00ebn e ambjentit dhe p\u00ebr ndjesin\u00eb e nje sensualiteti t\u00eb skajsh\u00ebm, por t\u00eb tjera aspekte t\u00eb filmave mund t\u00eb v\u00ebrehen me kalimin e viteve dhe rikonsiderimin e tyre n\u00eb nj\u00eb tjet\u00ebr optik\u00eb. N\u00ebn nj\u00eb tis nostalgjie p\u00ebr magjin\u00eb e viteve 90-t\u00eb, triologjia mund t\u00eb konsiderohet si nj\u00eb lule ekzotike dhe e mistershme, ose ndoshta nj\u00eb instalim gjigand me tre pjes\u00eb p\u00ebr t\u2019u deshifruar, nj\u00eb krijim kinematografik i shk\u00eblqyer me vet\u00eb-besimin e tij t\u00eb \u00e7uditsh\u00ebm dhe bukurin\u00eb e pamas\u00eb.<\/p>\n","protected":false},"excerpt":{"rendered":"

nga\u00a0Anisa Vrenozi Triologjia e fillim-viteve 90-t\u00eb e Krzysztof Kieslowski ishte punimi i fundit i tij dhe suksesi m\u00eb i madh nd\u00ebrkomb\u00ebtar i cili kujtohet ende sot n\u00eb bot\u00ebn e kinemas\u00eb Europiane me tre posterat respektiv\u00eb ku shk\u00eblqenin hijsh\u00ebm: Juliette Binoche, Julie Deply dhe Ir\u00e8ne Jacob duke pasqyruar aristokracin\u00eb e re fem\u00ebrore t\u00eb kinemas\u00eb franceze.\u00a0 Filmat…<\/p>\n","protected":false},"author":2,"featured_media":336,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[218],"tags":[217,224],"class_list":["post-335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersianeekran","tag-filma","tag-filmologji-2"],"_links":{"self":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/posts\/335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/comments?post=335"}],"version-history":[{"count":0,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/posts\/335\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/media\/336"}],"wp:attachment":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/media?parent=335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/categories?post=335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/tags?post=335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}