{"id":382,"date":"2015-09-18T13:27:51","date_gmt":"2015-09-18T11:27:51","guid":{"rendered":"https:\/\/patrioti.al\/?p=382"},"modified":"2015-09-18T13:27:51","modified_gmt":"2015-09-18T11:27:51","slug":"ladri-di-biciclette-1948","status":"publish","type":"post","link":"https:\/\/patrioti.al\/en\/ladri-di-biciclette-1948\/","title":{"rendered":"Ladri di biciclette (1948)"},"content":{"rendered":"

nga Anisa Vrenozi \u00a0<\/em><\/span><\/p>\n

Regjizor:<\/em> Vittorio De Sica<\/p>\n

Aktor\u00eb:<\/em> Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Vittorio Antonucci<\/p>\n

Neorealizmi Italian, i njohur edhe si Epoka e Art\u00eb e Kinemas\u00eb Italiane, \u00ebsht\u00eb nj\u00eb l\u00ebvizje komb\u00ebtare e filmit q\u00eb karakterizohet nga histori t\u00eb vendosura n\u00eb gjirin e t\u00eb varf\u00ebrve dhe klas\u00ebs pun\u00ebtore, filmuar n\u00eb mjediset e tyre t\u00eb zakonshme dhe shpesh realizuar me aktor\u00eb jo-profesionist\u00eb. Stili neorealist u zhvillua nga nj\u00eb rreth i regjizor\u00ebve dhe kritik\u00ebve t\u00eb filmit t\u00eb revist\u00ebs Cinema<\/em>, p\u00ebrfshir\u00eb k\u00ebtu Luchino Visconti,\u00a0Vittorio De Sica, Gianni Puccini,\u00a0Cesare Zavattini,\u00a0Giuseppe De Santis\u00a0 dhe \u00a0Pietro Ingrao.<\/p>\n

Filmat e Neorealizmit prezantojn\u00eb histori dhe ide bashk\u00ebkohore,dhe shpesh jan\u00eb filmuar n\u00ebp\u00ebr rrug\u00ebt e qyteteve, pasi studiot filmike t\u00eb Cinecitt\u00e0 ishte d\u00ebmtuar n\u00eb m\u00ebnyr\u00eb t\u00eb konsiderueshme gjat\u00eb periudh\u00ebs s\u00eb luft\u00ebs. N\u00eb t\u00eb tilla filma kryesisht paraqiten kushtet e v\u00ebshtira ekonomike dhe morale t\u00eb pas Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore n\u00eb Itali, koh\u00eb q\u00eb p\u00ebrfaq\u00ebsojn\u00eb ndryshime t\u00eb m\u00ebdha n\u00eb psikik\u00ebn italiane dhe kushtet e p\u00ebrditshm\u00ebris\u00eb s\u00eb jet\u00ebs, duke p\u00ebrfshir\u00eb varf\u00ebrin\u00eb, shtypjen, padrejt\u00ebsin\u00eb dhe d\u00ebshp\u00ebrimin.<\/p>\n

Neorealizmi kurr\u00eb nuk ka q\u00ebn\u00eb m\u00eb mir\u00eb prezantuar se n\u00eb klasikun e 1948 t\u00eb Vittorio De Sica, t\u00eb titulluar \u2018Ladri di Biciclette\u2019 ose \u2018Hajdut\u00ebt e Bicikletave\u2019 (her\u00eb pas here p\u00ebrkthyer gabimisht si “Hajduti i Bi\u00e7ikletave”, edhe pse shum\u00ebsi \u00ebsht\u00eb sigurisht i \u00a0r\u00ebnd\u00ebsish\u00ebm pasi rezulton se ka dy hajdut\u00eb: nj\u00eb n\u00eb fillim t\u00eb filmit e nj\u00eb tjet\u00ebr n\u00eb fund t\u00eb tij).<\/p>\n

Q\u00eb n\u00eb momentet e para, prezantohemi me karakterin kryesor t\u00eb filmit, Antonion (Lamberto Maggiorani), nj\u00eb njeri i varf\u00ebr i shoq\u00ebris\u00eb italiane t\u00eb pas luft\u00ebs i cili \u00ebsht\u00eb m\u00ebse i entuziasmuar kur m\u00eb n\u00eb fund i ofrohet nj\u00eb pun\u00eb e cila rezulton n\u00eb vendosjen e posterave t\u00eb filmave n\u00ebp\u00ebr muret e qytetit. Por p\u00ebr t\u00eb realizuar pun\u00ebn e tij, ai ka nevoj\u00eb p\u00ebr nj\u00eb bi\u00e7iklet\u00eb dhe duhet ta siguroj\u00eb vet\u00eb at\u00eb, k\u00ebshtu q\u00eb gruaja e tij Maria (Lianella Carelli) vendos peng t\u00ebr\u00eb punimet e saj t\u00eb q\u00ebndisura t\u00eb familjes, p\u00ebr t\u00eb rimarr\u00eb bi\u00e7iklet\u00ebn q\u00eb ishte l\u00ebn\u00eb peng m\u00eb par\u00eb. N\u00eb dit\u00ebn e tij t\u00eb par\u00eb n\u00eb pun\u00eb, bi\u00e7ikleta e tij, i cili n\u00eb t\u00ebr\u00eb bot\u00ebkuptimin e filmit \u00ebsht\u00eb nj\u00eb element tejet i r\u00ebnd\u00ebsishem, vidhet dhe Antonio nd\u00ebrmerr nj\u00eb odise t\u00eb d\u00ebshp\u00ebruar n\u00ebp\u00ebr rrug\u00ebt e Rom\u00ebs me djalin e tij t\u00eb vog\u00ebl Bruno (Enzo Staiola) p\u00ebr t\u00eb gjetur bi\u00e7iklet\u00ebn e tij. Gjat\u00eb t\u00ebr\u00eb k\u00ebsaj odiseje, Antonio vrapon, mundohet, lutet dhe akuzon, duke zbuluar n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb skena t\u00eb nj\u00eb varf\u00ebrie t\u00eb ngjashme me t\u00eb tij\u00ebn kudo q\u00eb shkon dhe p\u00ebrplaset. Gjithandej krijohet dhe ndjehet zhurma klasike e turm\u00ebs: n\u00eb rrug\u00eb, n\u00eb nj\u00eb treg, n\u00eb n\u00eb kish\u00eb. Gjithmon\u00eb mblidhet zellsh\u00ebm turma rreth Antonios dhe t\u00eb birit, t\u00eb gjith\u00eb duke komentuar, duke u ankuar dhe n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb duke amplifikuar ankthin dhe p\u00ebruljen e atit dhe t\u00eb birit.<\/p>\n

Ve\u00e7antia e k\u00ebsaj historie n\u00eb raport me filma t\u00eb tjer\u00eb t\u00eb ngjash\u00ebm n\u00eb tipologji si Chaplini e birin e tij, q\u00ebndron n\u00eb m\u00ebnyr\u00ebn sesa madh\u00ebrish\u00ebm p\u00ebrcillen p\u00ebrjetimet komike apo dramatike. Bruno, i biri \u00ebsht\u00eb d\u00ebshmia intime e posht\u00ebrimit t\u00eb atit t\u00eb tij dhe pamjaftueshm\u00ebris\u00eb s\u00eb tij si nj\u00eb mbajt\u00ebs i familjes. Skenat n\u00eb fillim t\u00eb filmit, kur Antonio rast\u00ebsisht l\u00eb bi\u00e7iklet\u00ebn e tij t\u00eb paky\u00e7ur, por q\u00eb mbetet p\u00ebr momentin mrekullisht e pagrabitur, shpalos plot ankth preludin e asaj q\u00eb do t\u00eb ndodh\u00eb.<\/p>\n

Antonio duket i paft\u00eb ose jo i gatsh\u00ebm p\u00ebr t\u00eb p\u00ebrqafuar t\u00eb v\u00ebrtet\u00ebn morale m\u00eb t\u00eb qart\u00eb dhe shpenguese – i biri \u00ebsht\u00eb posedimi m\u00eb i r\u00ebnd\u00ebsish\u00ebm, jo \u200b\u200bbi\u00e7ikleta e mjeruar – dhe De Sica \u00ebsht\u00eb gjithashtu jo i gatsh\u00ebm p\u00ebr ta p\u00ebrqafuar k\u00ebt\u00eb t\u00eb v\u00ebrtet\u00eb, pik\u00ebrisht p\u00ebr shkak se ndoshta kjo e v\u00ebrtet\u00eb \u00ebsht\u00eb tep\u00ebr e qart\u00eb ose sepse ky moral \u00ebsht\u00eb nj\u00eb luks q\u00eb vet\u00ebm njer\u00ebzit e pasur mund ta p\u00ebrballojn\u00eb. Babai \u00ebsht\u00eb i fiksuar me gjetjen e nj\u00eb gjilp\u00ebre t\u00eb humbur n\u00eb kasht\u00ebn urbane, p\u00ebr t\u00eb fituar pun\u00ebn e tij s\u00ebrish. P\u00ebrs\u00ebri dhe p\u00ebrs\u00ebri, ai e injoron djalin e tij t\u00eb vog\u00ebl, nd\u00ebrsa rend pas horizontit p\u00ebr bi\u00e7iklet\u00ebn e tij.<\/p>\n

N\u00eb nj\u00eb moment, ai d\u00ebgjon nj\u00eb zhurm\u00eb nga bregu i lumit n\u00eb lidhje me nj\u00eb “djal\u00eb t\u00eb mbytur”. Me nj\u00eb fillim fajtor, ai shikon p\u00ebrreth p\u00ebr Brunon. Jo, ja tek \u00ebsht\u00eb ai, i sigurt dhe sh\u00ebndosh\u00eb e mir\u00eb.<\/p>\n

Por m\u00ebsimi nuk \u00ebsht\u00eb m\u00ebsuar, madje ati nuk mban as dor\u00ebn e Brunos! Dhe, n\u00eb nj\u00eb sken\u00eb m\u00eb von\u00eb, ne shohim birin e varf\u00ebr pothuajse t\u00eb p\u00ebrplasur nga nj\u00eb makin\u00eb, sepse ati i tij nuk \u00ebsht\u00eb duke u kujdesur p\u00ebr t\u00eb. Mbijetesa fizike e Brunos \u00ebsht\u00eb mrekullia e fsheht\u00eb e filmit dhe ai m\u00eb n\u00eb fund \u00ebsht\u00eb shp\u00ebtimtari i babait t\u00eb tij, por n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb till\u00eb q\u00eb e b\u00ebn posht\u00ebrim e Antonios t\u00eb plot\u00eb. Kjo \u00ebsht\u00eb fitorja autentike e varf\u00ebris\u00eb: Humbja banale dhe e tmerrshme e dinjitetit.<\/p>\n

Ndaj, \u2018Hajdut\u00ebt e bi\u00e7ikletave \u00ebsht\u00eb nj\u00eb, pun\u00eb e shk\u00eblqyer dhe e v\u00ebrtet\u00eb arti, nj\u00eb thesar i jasht\u00ebzakonsh\u00ebm kinematografik; origjinaliteti, ndikimi, realizimi dhe bukuria artistike e s\u00eb cil\u00ebs jan\u00eb t\u00eb pakrahasueshme me nodnj\u00eb vep\u00ebr tjet\u00ebr. Vittorio De Sica ka arritur t\u00eb krijoj\u00eb nj\u00eb nga filmat m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb historin\u00eb e njer\u00ebzimit dhe si e till\u00eb konsiderohet edhe n\u00eb dit\u00ebt e sotme. Procesi i rind\u00ebrtimit gjat\u00eb periudh\u00ebs s\u00eb pasluft\u00ebs p\u00ebrshkohet paralelisht dhe sakt\u00ebsisht me t\u00eb nj\u00ebjtin pro\u00e7es t\u00eb brendsh\u00ebm q\u00eb karakteret e filmit duhet t\u00eb nd\u00ebrmarrin n\u00eb nivelin e tyre personal. Ka gjithmon\u00eb nj\u00eb fillim t\u00eb ri p\u00ebr \u00e7do gj\u00eb, dhe pavar\u00ebsisht ngjarjeve t\u00eb v\u00ebshtira n\u00ebp\u00ebrmjet t\u00eb cilave duhet t\u00eb kalojm\u00eb, perspektiva dhe bot\u00ebkuptimi me t\u00eb cil\u00ebn vendosim p\u00ebr t\u00eb pare n\u00eb ve\u00e7anti \u00e7do detaj t\u00eb jet\u00ebs \u00ebsht\u00eb pik\u00ebrisht ajo q\u00eb b\u00ebn diferenc\u00ebn n\u00eb ekzistenc\u00ebn ton\u00eb.<\/p>\n

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nga Anisa Vrenozi \u00a0 Regjizor: Vittorio De Sica Aktor\u00eb: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Vittorio Antonucci Neorealizmi Italian, i njohur edhe si Epoka e Art\u00eb e Kinemas\u00eb Italiane, \u00ebsht\u00eb nj\u00eb l\u00ebvizje komb\u00ebtare e filmit q\u00eb karakterizohet nga histori t\u00eb vendosura n\u00eb gjirin e t\u00eb varf\u00ebrve dhe klas\u00ebs pun\u00ebtore, filmuar n\u00eb mjediset e tyre t\u00eb…<\/p>\n","protected":false},"author":2,"featured_media":383,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[218],"tags":[217,224,226],"class_list":["post-382","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-letersianeekran","tag-filma","tag-filmologji-2","tag-refleksione"],"_links":{"self":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/posts\/382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/comments?post=382"}],"version-history":[{"count":0,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/posts\/382\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/media\/383"}],"wp:attachment":[{"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/media?parent=382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/categories?post=382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrioti.al\/en\/wp-json\/wp\/v2\/tags?post=382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}